Showing posts with label colour revolt. Show all posts
Showing posts with label colour revolt. Show all posts

I Am Not Above a Top Ten List: Matt's Albums of 2008

The Album: A dying expression of creativity? A sonic dodo? Perhaps sometime in the sooner-than-you-think future. Or perhaps only a wilting Phoenix that will rise from the ashes to confirm to the human race that no one song can stand alone--ever.

There's so much that goes on in a year that I can say with 100% confidence I am forgetting a LOT of music (which also tells me I need to better organize my music collection). Nonetheless, here are the ten I came up with in the span of 45 minutes whilst staring at the wall.


Beach House: Devotion
To give credit where credit is due, I did not know a thing about this band until they appeared on the Gift Horse top friends (where I would I be without the brilliance of Tom?). Devotion makes me want to live out of a car and cruise the highways between Arizona, Nevada, and California for the rest of my life. What I mean by that, I can't clearly express. I just have to leave it at that.

Beach House also shows me what it would be like if
Chan Marshall was the lead singer of The Zombies and they all went in on a Holy Grail.

Cat Power: Jukebox
Speaking of Chan Marshall, her early 2008 release Jukebox was something I had to stumble upon later in the year. Her cigarette charred, stained glass voice is enveloping. To be very cliche, she doesn't just sing the words, she honestly does live them out every time she performs. A highlight of the year was seeing her performance at Bonnaroo streamed online. Below is a clip of her covering "I Feel" by The Hot Boys. Her drummer is also noticeably hammered.*

*To his credit the drummer is Jim White, the extremely talented Australian drummer of The Dirty Three.

Colour Revolt: Plunder, Beg, and Curse
I was in New Orleans for Halloween and missed their set by an hour. I was in Athens the next week and was right on time. Their performance is one of my top shows of 2008 (if such a list might be conjured). Please listen to this album from a handful of very talented Oxford, MS gents.


Department of Eagles: In Ear Park
I've talked enough about this band. Here's the album if you haven't had a chance yet:




Dead Confederate: Wrecking Ball
I was very eager to hear what these guys had put together in a little studio in Austin. And I can't say enough how much I love this album. The mix is perfect, the songs are steady and as a whole, Wrecking Ball evokes exactly what this band is about.

www.deadconfederate.com



Mike Doughty: Golden Delicious
Mr. Doughty continues to turn his solo acoustic musings into full-band tracks of pure enjoyment. Sure, it's pop. But it's GOOD HONEST pop. It's not trying to be anything else than what it is. Doughty isn't looking for Billboard charts and he's not looking for the approval of the Brooklyn hipsters. He's writing the music that comes out of him, pure and simple. The kind of free-filter oozing of aural beauty that is unique to every musician. The trick is to stop thinking about what you should write, and write what is there to be written. Doughty has that down pat.



Fleet Foxes: Fleet Foxes
Another top performance of 2008. And enough people are throwing reviews out, that I'll just assume you know what I know.





She and Him: Volume One
I love M. Ward and I've had the hots for Zooey Deschanel since "Elf". OF COURSE I'll listen to their musical collaboration! Paste Magazine has named Volume One as their Album of the Year. I'm very much looking forward to the promised Volume Two. Also, check for M. Ward's new solo release in '09.



The Sparrow Quartet: The Sparrow Quartet
This was a gift for my significant other, which I rightly burned onto my computer before giving to her. How can you beat Abigail Washburn, Bela Fleck and Co. "plucking up" (just made that up, i swear) some scholarly bluegrass with a significant dash of the contemplative. Not to mention you can learn some Chinese! In all seriousness however, this is a great headphone album. And you can't beat Abigail's voice. Seriously I will be really mad.


Widespread Panic: Free Somehow
Lastly, but not least-ly, my dear employer. This is not a plug, just a fucking good album that the hippies will never understand. I've said before that this is John Bell's best vocal effort to date. It is also the studio debut of Jimmy Herring with the band. And it would have been Terry Manning's (producer) attempt at "Wall of Sound-ing" the band, had the band not been like "WTF" to the early mix. I was able to get a listen to that first mix and let's just say all the doo-wops and string-soaked tracks were taken down from eleven. Top tracks from this album include "Angels on High", "Dark Day Program", "Her Dance Needs No Body", "Already Fried", and "Up All Night". Support you local blogger's salary and buy a copy...okay this is a plug.




Well, that does it. One through ten. I encourage all the Rebel Forces regulars to jump on in to this list business.

Matt visits New Orleans

I flew to New Orleans yesterday. Widespread Panic is having their annual Halloween show tonight (and an additional one tomorrow) and the mgmt all came down to join the fun.

We landed and found ourselves in the middle of downtown by about 3pm CT. After checking-in and establishing an internet connection (for my own mental survival) at the ol' Iberville Suites, my boss and I went down to Acme Seafood to catch a much-needed meal. What was only going to be an easy shrimp po' boy and a beer turned into two pitchers of the local Abita brew, hushpuppies, po' boys, and six of the biggest half-shell oysters I have ever seen. Stuffed and quite nearly defeated, we left Acme a bit sluggish (and a good bit buzzed) and returned to the hotel

After we got back to the hotel, I went to my room, caught a movie on HBO and napped until dinner time. When I awoke I was still full from Acme Seafood and looking for something to do. The original plan was to head over to Jackson Square and see Vic Chesnutt and Elf Power play at One Eyed Jack's. Mulling it over, we come to the conclusion that we can catch both when they play Athens in February. As an alternative, the band's tour manager calls and has some extra tickets to offer us to the Rose Hill Drive show at the House of Blues. So, of course, we go.

When I first heard of Rose Hill Drive, I only heard their name. I thought they MUST be an emo band or perhaps something like Good Charlotte. I'm not at all knocking that type of music, it just is not my personal cup o' tea. However, I did remember seeing them on Conan months back, but I couldn't recall their sound. So I did what any logical person does these days and typed "myspace.com/rosehilldrive" into the computer and voila: "Sneak Out". They sounded like a nice mix of Stone Temple Pilots and Queens of the Stone Age--thus me being a diehard STP fan and my boss being all about QOTSA, off we went.

The crowd was pretty good--became bigger as the night went on, and these guys didn't disappoint. However, I was a little bummed that we missed the opening act: Colour Revolt (I've heard good things). Back to RHD, they lived up to the one song we heard online and also busted out a pretty decent version of Jimi Hendrix's "Machine Gun". The bass player has quite a set of pipes on him, and both he (and I think his brother) and the guitar player were well schooled on their crafts.

Afterwards, we went over to a bar called "Alibi" to catch up with some of the road crew as well as meet some new faces that would also be joining the festivities this weekend. One in particular was a NOLA local who has never seen Panic before, tonight being his first show. I always get excited when I meet someone who is about to go see the band for the first time. "You will not be disappointed" is what I kept reassuring him. I don't know if he believed me, but I'm looking forward to hearing about his reaction this evening.

The bar was a simple space, but the ceased to stop playing Panic on the stereo the whole time we were there--which was really weird and ironic. I'm not one of those people who listens to only Panic leading up to a show. In fact, I'm the complete opposite: I listen to anything but. It ruins the performance for me if I do.
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I was up at 8am this morning to catch and early-bird breakfast in the lobby and the complimentary USA Today. I've got to catch up on a little work and make sure all my ducks are in a row for the show tonight, and hopefully catch a nap before I head to the venue at 2. But I wanted to type a good bit about my trip.

I'll be back with more later.

*Rose Hill Drive and Colour Revolt will perform at the Melting Point in Athens next week on Thursday Nov. 6th. You should go.